Samar falls in love with Meera immediately, Meera insists on a friendship, the friendship blossoms into a great love affair. Next, a little classic Hindi cinema unfolds. All her life, Meera has gotten everything she ever wanted by dealing with God this way. Whenever she wants something, she prays to God and asks for it, promising to give something up in return.
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Meera also has the habit of making deals with God. A bit of an every-woman herself, Meera is a somewhat typical member of London's privileged Indian immigrant population, daughter to a highly successful corporate businessman, pampered throughout her life, and hoping to marry a handsome Englishman some day. One day, Samar meets the beautiful Meera. Samar's life is difficult, but he gets through it happily with a forceful optimism and the wisdom of a real guru. Jab Tak Hai Jaan tells the story of Samar Anand, a wise-beyond-his-years, hardworking Indian every-man living and working in London, working two jobs and scraping together a living with his unemployed Pakistani roommate. Surprising, because of its underlying message, a theme controversial in any country, but in India truly shocking. Not only do the aforementioned traits make it legendary before the opening credits roll, this happens to be the first genuinely surprising Hindi movie I think I have ever seen. So I am going to give some special attention to the rather remarkable new Hindi movie Jab Tak Hai Jaan.
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But when that movie is also the last work of Bollywood legend Yash Chopra, released posthumously, you can bet it deserves some special attention. Rahman is bound to be interesting and wildly successful. WARNING: This movie review may contain spoilers (although I do not think so).Īny movie that stars Shah Rukh Khan alongside two of the hottest working Indian actresses - Katrina Kaif and Anushka Sharma - and featuring a soundtrack written and performed by the legendary A.R.